Term 3: The first year Lesson 8

Speaking with your book: a copy in every seat.

A book and a talk help each other. The book gets you on the stage, and the stage puts the book in front of a room of the right people. This lesson shows how to turn a chapter into a talk, find the first stages, and ask hosts to buy books.

What you will do after this lesson

  • Outline one talk built from one chapter.
  • List ten first stages where your reader already gathers.
  • Write the ask that gets hosts to buy copies, and plan the signing table.

Why the book and the stage belong together

Event organizers want speakers who have something specific to say and the credibility to say it. A book shows both. Matt Shoup had been a paid speaker for years, charging four figures. Once Painted Baby was published, he pitched his first five-figure speaking engagement and landed it, then another. His speaking agent had been booking him at smaller events and waiting for the book before putting him on bigger stages (Matt Shoup's story).

It takes time. Ron Thurston, who now gives keynotes for brands such as Boot Barn, says he practiced on virtual stages when Retail Pride launched and that it took him several years to become a high-fee speaker (Ron Thurston's story).

These are Scribe Media authors. Their results are strong, not typical, and no one can promise them. The methods are the part to copy.

Turn one chapter into a talk

A talk is not the whole book read aloud. It is one slice, chosen for one audience. Pick the chapter that answers the question your audience asks most, then use this shape:

  1. Open with a story (3 to 5 minutes)

    A real moment from the chapter where the problem shows up. People remember the story long after the slides.

  2. Name the problem (2 minutes)

    Say plainly what goes wrong and what it costs the people in the room.

  3. Teach two or three ideas (20 to 30 minutes)

    Each idea gets one example from the book and one from the audience's world.

  4. Give one action (3 minutes)

    Something the audience can do this week. Then mention that the book goes deeper, once.

Worked example

Say your book is for retail district managers and has ten chapters. For a regional managers' meeting, you pick chapter 4, on running store visits that change behavior. You open with the visit where a store manager cried in the stockroom, name the problem (visits that feel like inspections), teach three habits from the chapter, and close with one: on your next visit, ask the manager what they need before you say what you saw. The other nine chapters become the next nine talks, each matched to a different audience.

Ron Thurston says every keynote and workshop he has delivered has been customized to the host (story). Start with one core talk and adjust the stories and examples for each room.

Find the first stages

First stages are rarely famous. They are rooms where your reader already gathers: industry associations, chambers of commerce, alumni groups, company meetings, client events, campuses and community groups.

  • Hadley Ott, author of Drug-Free Crohn's, used a friend's introduction at Notre Dame to pitch a hundred more schools, which led to a talk at Ole Miss (story).
  • Cesar Perez's speaking career after Chase the Light started with word of mouth and grew into a calendar of college campuses and events (story).
  • MyLinh Shattan, after launching Raising Athena at West Point, lined up talks at the Air Museum in California and the Women's Memorial, and as the featured speaker at Flag Day (story).
  • Myra Evans's book Start Where You Are inspired a reader to host an International Women's Day event; Myra helped organize it and 100 people came (story).
  • Mike Brunel's first talks came from two friends who bought copies at his launch party and invited him to speak (story).

Keep a list of ten rooms. Pitch two a week, with the same patience as the podcast tour.

The ask: books in every seat

The most useful habit in this lesson comes from Ron Thurston. He starts by asking the organizer about their budget before he talks about money. When an organizer has no speaker budget but offers to cover travel, he asks whether they would buy copies of his books, for example a hundred copies to give away. He almost always writes a book purchase into the speaking contract, and he pitches a full experience rather than an hour on stage: staying for the day, signing books, helping present awards at the evening event (story). At a Boot Barn conference in September 2026, Boot Barn bought copies of Retail Pride for all 700 store managers attending his keynote.

What the host hasWhat to ask for
A speaker feeThe fee plus a copy for every attendee, written into the agreement
Travel onlyTravel plus a set number of copies (Thurston's example: 100 for a raffle)
Nothing, but the right audienceA table to sell books, and an introduction that names the book
A client gift budgetSigned copies as the attendee gift
Sample ask

"Before we talk about the fee, can you tell me about your budget for the event? ... I understand. One option that works well for hosts is buying a copy of the book for each attendee. Everyone leaves with the ideas from the talk, and I'll stay to sign every copy."

When the host buys the books, the room changes. Rachel A. Williamson headlined a Lead Like Her event at Ohio State where the host had pre-bought a couple hundred books for attendees. Halfway through the signing line, the CEO of a retail brand walked to the front, handed her his card and said he needed to hire her. His assistant emailed two days later to set up a call about a consulting engagement (Rachel A. Williamson's story).

The signing table

Plan the table before the talk:

  • A helper. Someone to run payment and the line so you can talk to each person.
  • A price and a card reader, if you are selling. MyLinh Shattan ran out of capacity to sign at her West Point launch and said she had not known how to charge (story).
  • A way to follow up. A sign-up sheet or a QR code to your newsletter, so the people in line hear from you again.
  • Cards for the busy. Some people cannot wait in line. Make sure they can still find you.

After the event, send the host a thank-you and a short summary of what attendees said, and ask who else they know who runs events. That is how one stage becomes three.

Homework

  1. Outline one talk

    One chapter, the four-part shape above, on one page.

  2. List ten rooms

    Associations, campuses, client events, alumni groups. Pitch two a week.

  3. Write your ask

    Adapt the sample so it sounds like you, and decide your answer for each row of the table.

  4. Pack a signing kit

    Pens, card reader, price sign, sign-up sheet, and a helper's name.

Put your talks and pitches on dates with the Launch Plan Builder.

Questions

Common questions

How do I turn my book into a talk?

Pick the one chapter that answers the question your audience asks most. Open with a story from it, teach two or three ideas from the book, and end with one thing the audience can do that week. A good talk covers a slice of the book, not the whole thing.

How do I get event organizers to buy my book?

Ask early, and make it part of the agreement. Some authors ask the host to buy a copy for every attendee as part of the fee; when there is no speaking budget, they ask the host to buy a set number of copies instead.

Should I sell books at the back of the room or give them away?

If the host buys a copy for every seat, everyone leaves with the book and you can focus on signing and talking. If not, selling at a table works when you have a card reader, a set price and a helper. Either way, plan the line before the talk.

Does a book help you get paid speaking engagements?

It can. Matt Shoup landed his first five-figure speaking fee after his book came out, and his speaking agent had been waiting for the book before booking bigger stages. Ron Thurston says it took him several years to build a speaking business. It is a long game, and no one can promise the result.